#im thinking way too hard about this

[raspberryjellybrains]

its been a billion years since I posted anything meaningful about mcga but I'm thinking about Alex helping Magnus with clothes.

I think Blitzen would love to help style Magnus, but I think he might accidentally end up being a bit overbearing, albeit with good intentions. He wants to help, but would probably end up tripping over his own fashion opinions more often than not, and Magnus would want to make his friend happy too much to actually voice his own opinions consistently. But Alex would understand that identity through fashion is something slow to be discovered on your own. It's not instant, it's a slow process of trying things and finding out what makes you feel good physically and emotionally. You can't pressure a person finding their own style, especially someone who's never had much room to do so and will likely feel guilty about making that room. She's gone through the process, and she'd probably be more than happy to help someone with it too.

I'm thinking about them going around to different stores and finding that Magnus likes second hand and low-end boutique stuff more than anything. Alex letting him onto her etsy account and buying his first piece of jewelry, taking him around to all of her favorite stores where she's greeted as a friend. Yeah, they could do all this in Valhalla, but where's the fun in that?

I think Magnus would like earth tones and dark, muted colors. He would avoid synthetic materials for their unnaturally soft textures and blue would make rare appearances. Alex would parade him around in his first pair of White Guy Khaki Shorts in five years, glowing with a silly sort of pride and Magnus feeling something kindle back to life in his chest at a growing collection or flannels, just like his mom. I'm imagining Magnus learning what it's like to live with his body, rather than despite it, and feel comfortable with himself in his surroundings for the first time since he was a little kid, taking a hike in the woods. And I'm thinking of Alex holding his hand the whole time.

[hinamie]

corvidae

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[wyervan]

what relationship structure do slasher sun & moon prefer? mono? poly? ambiamorous like me? :3 are they particularly jealous?

Well jeez, I should start by saying that really neither of them have had that much actual experience in romance or dating 😆.

Not to mention, given the time period of the AU and their backgrounds, it’s unlikely Sun and Moon would even be aware of any choices outside of monogamy… at least until they ran away to the circus. I think meeting carnies would challenge many a young person’s preconceived notions about how to live life 🤡.

Moon doesn’t exactly think of himself as a guy who’s built for romance, so I doubt he’s really considered relationships of any structure too carefully.

Sun sometimes daydreams about being in an idealized, aggressively Hallmark romance. It’s a fantasy born from a desire to be loved unconditionally, but also to conform to what he thinks mainstream society expects of him. And they lived happily ever after… and also Moon was there.

The reality is that they’re so entangled in each other’s lives, that it’s impossible to have a relationship with one without also having some form of relationship with the other, even if it’s not romantic. They might not literally share a body like canon DCA, but Slasher Sun and Moon are a package deal 🤞.

Do they get jealous? Of each other? Oh definitely. They might be accustomed to sharing most things, but a relationship with both of them would be at least as messy and contentious as their relationship with each other already is. Jealousy, bickering, and possessiveness abound. Slashers aren’t exactly known for their communication skills 😛

[earendilsass]

I've finally finished my life series art yipee

Im so proud of these considering i've never tried anything that looks like stained glass

Theres also a Cleo one in the reblogs

As usual click for better quality

Flat colours (and me yapping about them) under the cut

These are also not edited for better colours just straight from the art file, idk i can never get colours just right so i usually edit them in my gallery app lol

The line art colour match the characters vibes they're not really lore based but you know what is

The poses. Obv grain is looking at the camera (and has eyes) cuz he's a watcher but also scott and martyn are looking to one side cuz they were happy about their win and pear and scar are looking to the other cuz they were sad/confused

None of them really have facial features cuz like they're players in a game come on why would they ever have an actual identity other than 'player'

Also look at scotts bow and scars cane please i put way too much detail into them

Okay enough yapping now (i lied theres more in the tags)

[roanawayspoons]

Sometimes date nights become making surveys with your girlfriend about what dessert is because you're both AuDHD and tangented real hard from a off hand comment in the would you rather youtube video you were watching together.

We'd love to find out what you think it is! So please we spent several days making and put through several rounds of testing take the survey!

Here's the link again just in case:

https://forms.gle/5JehqLxptUJgnsEA6

[waitineedaname]

not romantic or platonic but a secret third thing (bonded pair)

[troyssix]

NEWTMAS NEWTMAS NEWTMAS

(books)

"newt squeezed his hand tightly"

"thomas realized how much newt meant to him"

"what's up, tommy? you look bloody great for 3 in the morning"

"i knew i'd follow you anywhere. and i have" (this is just the films ik but still)

also newt only trusting thomas with the note

also the TENSION

also newt being confirmed fruity

historians say "they were great friends" THEY WERE GAY BITCHES

[redjademilktea]

Last night's episode of 4 Sided Dive was absolutely wonderful in terms of the amount of insight and perspective we got. Not only the Crown Keepers interlude, but also for campaign 3's themes as a whole.

Specifically what fascinated me though, was the incredible analogy Aimee drew between the Ruidian culture and colonial influence on indigenous/colonized spaces in real life (around the 1h32m mark for reference). It was amazing question to ask and I'll love Aimee endlessly for it because it touches on am interesting parallel between the discourse surrounding the Exandiran gods and what they thematically can represent to us as an audience.

Before I dive into my thoughts, I want to preface this by saying this is my specific perspective as a queer woman of color and daughter of a refugee. While my year-5-in-a-PhD-program brain may just be over analyzing this too much, what Aimee brought up just deeply resonated with me in a way that I don't really see talked about in discussions around the themes of campaign 3. Additionally, the ideas I'll be talking about borrow heavily from Christine Taitano DeLisle's Placental Politics: CHamoru Women, White Womanhood, and Indigeneity under U.S. Colonialism in Guam (2023). Its an incredible piece on indigenous knowledge production and political action that importantly looks to decenter colonial perspectives and history (and more importantly recenter indigenous histories, knowledge, and perspectives in a way that allows us to dislodge the idea that colonialism is something that is immutable and inevitable.)

To quickly summarize Aimee's point/follow up question, she pointed out that the way Ruidians have engaged with, repurposed, and were resentful towards Exandrian cultures mirrors some of the real life experiences of colonized/marginalized communities in relation to colonialism. It was such a powerful comparison to make because in a lot of ways, the struggle of the Ruidian people over the course of the campaign along with the looming question about the gods and whether or not to save them is (intentional or not) deeply resonant with the idea of colonialism and the ways it is deeply ingrained in the even mundane aspects of our life.

In a lot of ways, the Exandrian pantheon can be seen as a colonial force. One that came in and displaced a preexisting order of things and entrenched itself in the new way of being it established. Ashton and Laudna have repeatedly pointed this out throughout the campaign. There was life and existence before the gods. The gods are merely a different mode of being, not the only and inevitable mode of being. Life, society, and being can and did exist without them.

And its important to recognize that aspect of the gods, because it helps us understand their motivations that much better. Aabria in her description of what Opal saw in the Spider Queen as she tried to take Opal as her champion was poignant. Opal did not see an omniscient, unknowable entity. She saw a woman. A woman who was frustrated, angry, and most importantly frightened. They keep Predathos chained away not to protect life on Exandria nor because they feel a moral obligation to do so. They are doing so because they are afraid. Their mortality is at stake. And, as Aabria keenly pointed out, their pride is as well. Every action, every move is out of self preservation. An attempt to save themselves because Predathos demonstrate that not even the gods are a permanent thing.

You'll find (as Anne Stoler writes about frequently) that colonial systems are much the same. They are vehemently intent on self preservation. Any action they undertake and any narrative they create about themselves is solely done to preserve the way things are currently. And that includes narratives that the way things are currently is somehow inevitable. That things were always coming to this moment. Often, this is done at the expense of framing other modes of being as somehow antithetical to the way things are now. That it needs to be this way. And that this way is right and forever.

To me, its important to recognize these parallels. While Ruidians may engage with, adapt, and innovate off of Exandrian ideas, culture, and art, it is only because - as Aimee aptly phrased it - Exandrian culture as a direct result of the gods actions has "sucked all the air out" everything. What is there to engage with, if not the looming orb in the sky that has shaped every aspect of their existence?

It really brings the campaign-wide question of "should we save the gods?" into new light, at least in my opinion. Because its suddenly not about "saving the gods in a morally righteous act to preserve all life." It becomes a layered and complicated network of issues that makes the answer to that question incredibly difficult to answer. Is preserving the status quo because its how things operate now worth it at the expense of the suffering of others? What would saving the gods and the Ruidians look like? Is it even possible to save both? What changes to how things operate would be a result of that? How would those changes be handled?

I bring this up because there is a tendency in some discourse that I've seen to frame questioning the validity of saving the gods as inherently the "wrong" choice to make. When instead, when you see the cast struggling over the question, its because the answer is not straight forward. The gods are not necessary for life. They never were. They just are necessary for life the way things are now. And the question of what disrupting that means is such a fascinating one to engage with.

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[andr0nap-wf]

Medallion-embossed collar ✨

[milkweedman]

Knitting a freehand bag and started wondering how often people even use patterns, anyway. So--how often do you use a pattern when you make things ? This include knitting/crochet/sewing/weaving/nalbinding/bobbin lace/tatting/etc but also things like woodworking, cooking, and baking. If you want to just pick the thing you do most often that's fine.

I personally do not use patterns as I find them far more confusing than just figuring out the construction of an item and simply making it. I do very occasionally browse ravelry for inspiration but have downloaded maybe 2. In the 5 or so years since I joined. And have followed exactly 1, which I modified every single aspect of. In my defense, dyslexia.